two fannish observations
Mar. 19th, 2007 11:09 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I only see TV on DVD or at the gym, so anyone interested is, no doubt, way ahead of me on this, but, well, anyway: tonight the TV at the gym was playing something called Dancing with the Stars, and one of the Stars who was, apparently, signed up for a Dancing competition was Joey Fantone from NSYNC. I only know him from an icon
cathexys uses, but I recognized him. He was great! He was goofy and funny! And he seemed as straight as a man dancing on television can be, alas, but then isn't he the one that doesn't get slashed so much?
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And then on the way home Fishwhistle was telling me about an article he'd read for his class on tonality, a formal analysis of certain Grateful Dead jams -- yes, yes, we don't need to mock because it pretty much mocks itself, doesn't it? -- and anyway Fishwhistle described the article as "etic." What does that mean? I asked him. It is, he revealed to me, the opposite of "emic." That is, when musicologists analyze only the formal aspects of music, in terms comprehensible to musicologists but not necessarily to the people who make or listen to the music normally, that is an etic analysis. But when musicologists try to convey something of the experiences and understandings of the people who make the music, or the fans of the music, that is an emic analysis.
So, two questions: Do people engaging in fan studies make this distinction between etic and emic? And if not, would it be useful to fan studies?
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And then on the way home Fishwhistle was telling me about an article he'd read for his class on tonality, a formal analysis of certain Grateful Dead jams -- yes, yes, we don't need to mock because it pretty much mocks itself, doesn't it? -- and anyway Fishwhistle described the article as "etic." What does that mean? I asked him. It is, he revealed to me, the opposite of "emic." That is, when musicologists analyze only the formal aspects of music, in terms comprehensible to musicologists but not necessarily to the people who make or listen to the music normally, that is an etic analysis. But when musicologists try to convey something of the experiences and understandings of the people who make the music, or the fans of the music, that is an emic analysis.
So, two questions: Do people engaging in fan studies make this distinction between etic and emic? And if not, would it be useful to fan studies?
no subject
Date: 2007-03-20 03:50 am (UTC)re emic vs etic. Would Hills or Sandvoss fall under that? I'd argue their discourses near purposefully exclude the fans...whereas jenkins'd be the opposite?
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Date: 2007-03-20 03:51 am (UTC)no subject
Date: 2007-03-20 04:07 am (UTC)Two More and We'll Have a Dining Room Set!
Date: 2007-03-20 04:09 am (UTC)Re: Two More and We'll Have a Dining Room Set!
Date: 2007-03-22 09:46 pm (UTC)Re: Two More and We'll Have a Dining Room Set!
Date: 2007-03-22 10:03 pm (UTC)no subject
Date: 2007-03-20 04:10 am (UTC)Jenkins is definitely emic. Sandvoss and Hills ... well, I haven't actually read Sandvoss. Hills is more like not-very-good emic analysis, to me. I mean he's sort of trying to do the participant observation thing, without actually participating. Unless I'm muddling him up with someone else.
You know who does a really good etic analysis? Constance Penley.
no subject
Date: 2007-03-20 06:23 am (UTC)no subject
Date: 2007-03-20 06:21 am (UTC)Joey is one of the less slashed ones, largely because of Brianna and Kelly (the daughter and wife respectively). I almost squealed with glee when I realized he was dancing to the Bee Gees, because NSYNC covered some of their songs.
No brain left for any thoughtful analysis of the etic, emic I'm afraid, mostly because there is a scary stack of survey papers to grade.
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Date: 2007-03-20 01:50 pm (UTC)I tuned into Dancing with the Stars last night for Ian Ziering, being a long time 90210 fan myself. One of the things I find fascinating about that show is the way it showcases the differences in how the genders are trained for performing careers. Nearly all the women have had some type of dance instruction, at least as children, but most of the men are total neophytes with no theory even to get them started. The athletes often have the most difficulty of all, because they don't want to let loose. My favorite season of that show was the one when John O'Hurley (J. Peterman from Seinfeld) went up to the finals. He was charming, funny, and a good dancer.
So now I am trying to imagine Phil Lesh on Dancing with the Stars. In a purely emic way, of course.
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Date: 2007-03-20 02:22 pm (UTC)no subject
Date: 2007-03-20 03:58 pm (UTC)no subject
Date: 2007-03-21 12:37 am (UTC)no subject
Date: 2007-03-21 09:19 pm (UTC)no subject
Date: 2007-03-22 09:26 pm (UTC)I suppose you dislike Marvin Harris for the same reasons lolaraincoat is driven to furious rants about Jared Diamond? The only thing I know of Marvin Harris is Good To Eat, which I found an interestingly compelling set of just-so-stories although I was also pretty sure those stories would fall apart on closer examination.
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Date: 2007-03-22 09:45 pm (UTC)I think I deserve a present. Maybe a pony. A shiny pony with glitter on its hoofs. Hooves. Whatever.
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Date: 2007-03-22 10:07 pm (UTC)