lolaraincoat: (Default)
[personal profile] lolaraincoat
Okay, if you have no idea what I'm talking about, [personal profile] naraht has been saving up links here. Go browse.

So in my own browsing, I have come across two assertions that I know to be factually incorrect. Certainly other claims that are Wrong On The Internet have been made, but here are the two that I want to argue about.

Wrong Idea #1: "Until recently, all readers of genre fiction/visible fans of SFF have been white." No. That is a lie.

I joined my hometown's SF fan group in 1977, when I was 14, because my best friend invited me, which she did because her mom ran it. And neither of them were white. Most of the people who attended regularly were white, but not all. We were all happily reading and discussing the then-new SF dealing with race and/or gender - Delaney! LeGuin! Tiptree! Russ! My friend's mom took her and her older sister to Boskone every year (she took me too, a couple of times; she was a great mom to a lot of people to whom she was not related) so it's not like they were invisible - at least in the non-metaphorical sense - to the white fen who now are claiming that my friend and her family didn't exist. This claim about the whiteness of SF's Good Old Days is a flat-out lie, and an excuse for present-day racist speech or behavior based on this claim is no excuse at all.

Wrong Idea #2: Alternate Timestream stories

I actually meant to say something like this about Elisabeth Bear's pseudo-Elizabethean fantasy series, with apologies to friends who I know really liked the books, so now I will say it about them and about the premise for P. Wrede's new book (which I haven't read, sorry) as well: Please leave the past alone. Just make up crap about the future! You will keep the historians from rending their garments and smacking their foreheads! Thank you!

More specifically, Wrede's new book is based on the premise that in some other universe, our planet's history was basically the same except that 1. there was such a thing as magic and 2. the big animals of the Americas did not die out when the glaciers receded and 3. the Americas were never populated until Columbus arrived. And yet the story is set in a recognizable version of 19th-century Minneapolis. Well ... okay, if there was enough magic to do all the work of clearing the land that was, in our universe, accomplished by swidden agriculture practiced by native people in some places or by herds of large animals managed by native people in others. Buffalo, sheep, cows, goats: whether or not the animals came with Columbus, it was local people whose uses of them changed the landscape. And there would have to be enough magic to come up with a suitable replacement for manioc, the food staple invented by Andean people that right now provides more calories than any other food eaten in Africa, because I guess Wrede's story does include African slavery, and all those enslaved people had to eat, right? Whereas here in North America, we are as we have been for millenia the People of Corn, and so I guess magic would have to replace corn as well (since it was bred up in the Valley of Mexico by native people there.) And if there weren't pre-existing gold and silver mines, what would have motivated the Europeans to bother with conquest at all? They had been following the cod stocks across the north Atlantic for centuries before 1492 and never troubled themselves with settlement or exploration, after all.

The general point is that the past is more tightly woven together than you think, and no amount of "world-building" can salvage a project that starts with such sweeping assumptions but ends up in such a familiar place anyway. I'm not usually all that much of a materialist, as historians go, but jeeze, you can't just ignore the interconnectedness of everyone's material existence, either.

The best description of how dependent Europe was on the Americas, in material terms, and of the relationship between demographic catastrophe in the post-conquest Americas and changing forms of labor is still to be found in Alfred Crosby's sadly outdated The Colombian Exchange. (Just say no to Jared Diamond and that silly-ass 1491 book, all right? Thank you.)

eta I realize that I should have pointed out that the most important thing about Wrede's three assumptions is that she (fictively) erased all the peoples of the Americas, which is to put it very gently an erasure with uncomfortable relationship to the needs and desires of writers and readers who sit at the top of the racial hierarchy in the anglophone world, and would prefer not to have to notice that the hierarchy exists at all - much less that non-white people exist. But, um, you know all that already, right? and you know I know that. So.

Date: 2009-05-12 03:36 am (UTC)
pauraque: bird flying (Default)
From: [personal profile] pauraque
I never heard of this Wrede person before, and I wish I never had because holy shit. Who ever told this person it was acceptable to DO that? I'm not asking them to self-flaggelate over European conquest of the Americas, but is it too much to ask for them to not, you know, DO IT AGAIN?

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Date: 2009-05-12 03:56 am (UTC)
isis: Isis statue (statue)
From: [personal profile] isis
Heh, as you might expect, living where I do the premise of this book makes me boggle with disbelief. The people and the landscape do not exist independently of each other!

Date: 2009-05-12 04:16 am (UTC)
ellen_fremedon: overlapping pages from Beowulf manuscript, one with a large rubric, on a maroon ground (Default)
From: [personal profile] ellen_fremedon
You know, if you call this sort of thing fantasy, or a comic-book style elseworld, I don't have any problem with it-- I mean, I'm loving the Temeraire books, where humans have had domesticated dragons since at least Roman times, and yet we still have Napoleon. But call it SF, and I boggle.

(And, yes, how on earth she could have not just written this book but gotten it through the whole publication process without anyone pointing out that disappearing all the peoples of the western hemisphere is just a tad problematic? Also makes me boggle.)

Date: 2009-05-12 04:34 am (UTC)
idlerat: Sketch of rat in martial arts stance, in front of image of the sun; says "Rat-Fu." (Rat-fu)
From: [personal profile] idlerat
Yay! You posted!

And so clear and good, just like you.

My now 4 racefail posts are none so clear and specific, and none done. but they will be eventually.

In terms of this post, I'll be scratching my head awhile over the injunction not to fuck with the past. It seems to me that this focus, while admirably simple, has the disadvantage of being somewhat legalistic and maybe rejecting too much. Before considering new books to be set in the past/otherwhere, we might consider old ones. (also: is the future so easy to get right? Which is why books set in the future are so plausible in terms of diversity and women...)

Wow I've taken Ambien and I'm not thinking too clearly. But say The Aeneid and The Tempest. Objectionable on factual and moral grounds. But not texts we want to get rid of, or even change (except in fan fiction, leaving the donor intact). Does that mean we want to make more of them? Well, definitely! actually. We just want the new ones not to make the same mistakes. The new ones can make their own mistakes. And even if the new ones make mistakes that are really bad, bad enough for the authors to be told to STFU, they will just be floated in a shiny happy diverse internet where people will say "oh no you may not" and the bad books will crawl under the bedding and hide, while better books are told "welcome! you need a beta," or spawn discussion, or just be embraced with passionate glee by all the eager robot FOC offspring spawned by the internet.

Personally, I'm looking for a lesbian martial arts/taiko romance set on Sado Island in the 17th Century. Exiled female fighter (for justice!) falls in love with Taiko master. But the dangers on the main island have not been resolved. OMG INJUSTICE! She must fight her way back - no one has ever done it, not for a thousand years. But can she do and still be with the woman she loves? Now, there are a billion things wrong with this and hideous pitfalls. A white author of such a story would have to be prepared for criticism, do reasearch, and get advice. But is this story and so many others something that shouldn't be attempted? Or maybe just not at Tor?

God I'm stoned.

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Date: 2009-05-12 01:23 pm (UTC)
laughingrat: A detail of leaping rats from an original movie poster for the first film of Nosferatu (Default)
From: [personal profile] laughingrat
But is this story and so many others something that shouldn't be attempted?

I wonder about this too--should white authors just never try to talk about the experiences of people from other cultures, or who are a different color? Is that the logical conclusion we could get from all this?

*ponder* I was recently told I was "derailing" when I paraphrased/synthesized commentary from several people of color about their experiences with the police. In the context, the accusation was hardly rational or fair, and so I'm a little extra sensitive about this whole "off-limits" thing at the moment.

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Date: 2009-05-12 12:02 pm (UTC)
ingridmatthews: (Default)
From: [personal profile] ingridmatthews
but ends up in such a familiar place anyway.

*nods* A North America without Native Americans prior to European settlements would have ended up more Mad Max than Minneapolis. With cannibalism.

The kind of conceit this author is indulging in is not only far beyond the ability to suspend disbelief, its targeted erasure of the first Americans (They would have eaten all the mammoths! The Magikal Europeans had better manners than that! Oh, look, the Statue of Liberty! With a wand!) is rather vile in its unspoken message.

Nope. Do. Not. Want.

Date: 2009-05-12 12:20 pm (UTC)
tournevis: (Moi)
From: [personal profile] tournevis
Thank you.

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Date: 2009-05-12 01:56 pm (UTC)
laughingrat: Tom Waits being weird (Tom)
From: [personal profile] laughingrat
This was pretty interesting. Also, glad to see you're posting! E-F's comment about whether this would be fine in fantasy rather than SF made me ponder a bit. No ideas as clear as you ladies', but then, I'm not deeply embedded in either SF or fantasy, so I haven't considered this all that much.

Your last paragraph was like a wake-up call. I feel embarrassed that I needed one. Thanks for pointing that out.

(Note: I started this before I finished the reply to your comment, whoops.)

Date: 2009-05-12 04:35 pm (UTC)
treewishes: All season tree (Default)
From: [personal profile] treewishes
As a fan of the AU, I've seen it done well. In this case, however, the person clearly hasn't thought through the logic from (a) add magic to ... (z) wherever it ended up. What was the thing that was different, and how did it affect (or not affect) everything, and really, you have to go through (b) and (c) and (d) etc or it won't be a decent AU.

But yeah, making stuff up in the future tends to be a lot better for peeps like this.

Date: 2009-05-12 04:36 pm (UTC)
cordelia_v: my default icon (Default)
From: [personal profile] cordelia_v
Hmm. Well, I'm never going to read Wrede's book, I'm sure. Although my children adored, adored, adored the "Dealing with Dragons" series, which I'm pretty sure she wrote (it was years ago, but HIGHLY recommended for any kid who loves dragons, and the gender politics of that one are pretty fine, too).

But while we are of one heart, mind, and soul when it comes to our evaluation of Jared Diamond, manioc, corn, and the relationship between landscape and culture . . . I do like AU speculative fiction that messes with the past in an intelligent fashion. Not sure you can call it sf, usually. But I enjoyed Phillip Dick's Man in the High Castle, fersure. And I like some of Harry Turtledove's alternate histories, although maybe that's because I don't know enough classical and Byzantine history to see where he might not be accurate. But I've still enjoyed them.

OTOH, I have little interest or use for all the alternate timeline U.S. Civil War fic that's out there, or the AU military history speculative fiction. There's a whole different sort of gender politics going on there that just doesn't pull me in. Sort of like the speculative fiction version of historical military re-enactors.

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here via link roundup

Date: 2009-05-12 04:47 pm (UTC)
rivenwanderer: (Default)
From: [personal profile] rivenwanderer
As a historian, is there anything else you'd recommend a non-historian (who's still willing to do a lot of research and work) read if considering alt-history worldbuilding around the subject of European colonization during the1450-1700 time period?

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Here from naraht's link roundup

Date: 2009-05-12 05:50 pm (UTC)
arch: (Default)
From: [personal profile] arch
I've added Crosby to my reading list -- thank you for the recommendation. I've tried to Google reviews of 1491, but I am having a difficult time finding critiques that go beyond "sometimes it reads like a textbook." Do you happen to know where there's a solid critique of Mann's argument? (If not, no big deal.)

Date: 2009-05-12 06:27 pm (UTC)
sistermagpie: Sigh. (Monet)
From: [personal profile] sistermagpie
From what I've heard, I don't even think world-building attempts to salvage the idea. Since it seems to treat it more like a big game of Jenga where you can remove the little block labeled INDIANS and everything else stays intact! I'm not quite sure whether slavery really exists either, because I've read some interesting comments pointing out how certain industries like sugar depended on that system.

Date: 2009-05-12 07:46 pm (UTC)
mmoa_writes: (Default)
From: [personal profile] mmoa_writes
Sometimes I wonder if critical thinking should be made compulsory for fantasy writers - it's getting a little annoying that after so many years of the genre's existence, the same problems arise: not thinking it through.

Not thinking through the implications of a culture, or a particular environment, or a certain magical system etc etc, coupled with uninterrogated internal prejudices (the white privilege, it burns...) are not excuses good enough for the modern writer (no, no even Tamora Pierce who still owes me a book set in Carthak...). Fantasy writers should not be let off any more than 'mainstream' writers are and it's depressing and ridiculous how they often are.

Could be

Date: 2009-05-12 09:44 pm (UTC)
jakeinhartsel: (Default)
From: [personal profile] jakeinhartsel
There is a serious scientific/philosophic theory that says that all perturbations of the Universe exist. and should this theory be true then the possible histories would by necessity exist.

It is somewhat fantastic and would make for a very large number of universes, an uncountable infinite number.

I am not saying I believe in it but it is, IMO, possible and no more fantastic than the existence of a God, again IMO.

Fun stuff to think about, however.

JJake

Date: 2009-05-12 09:51 pm (UTC)
arallara: Chris Kirkpatrick does the "Uncle Sam" point with text banners above and below reading "You Control the Narrative." (Default)
From: [personal profile] arallara
The general point is that the past is more tightly woven together than you think, and no amount of "world-building" can salvage a project that starts with such sweeping assumptions but ends up in such a familiar place anyway. I'm not usually all that much of a materialist, as historians go, but jeeze, you can't just ignore the interconnectedness of everyone's material existence, either.

THIS, YES. This is what has been killing me in even just the little that I have read so far in this imbroglio. I mean, what an exposure of utter ignorance about how history works, or maybe just a refusal to think deeply in general, I guess. Excusing herself from deep thinking because it's YA, maybe? I don't know. And really, what utter ignorance of the history of colonialism and imperialism and how that translates into present reality for non-white peoples all over the world. I've been thinking a lot about what an essential piece that is for white folks to understand in order to decenter whiteness in our worldviews, and this situation is pretty instructive in that regard. *sigh*

Date: 2009-05-12 10:19 pm (UTC)
jakeinhartsel: (Default)
From: [personal profile] jakeinhartsel
Not meaning to be confrontational, but it would seem to me a writer should be free to chose the "history" which precedes what he/she is writing. as long as he makes this clear of course.

OTH our history is what it is and can not be changed, and in that context it should be taught to all people interested in learning it. Unfortunately history has often been written to suit the writer and sometimes over time these sullied versions of history have become what some or even most of the people accept for truth. That is unfortunate.

I also take exception with your comment that seems to indicate that only non-white (what ever that is) peoples have been affected. I would point out such things as the Roman Emperor Constantine, rewriting a good share of the history of Christ most of which is believed by most people and which effects a fairly large part of the population of many different ethnic origins.

Jake

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Date: 2009-05-13 09:59 pm (UTC)
fledgist: Me in a yellow shirt. (Default)
From: [personal profile] fledgist
I've been reading SF/F since I was a kid in the 1960s. I am a person of colour.

I'm also a social scientist with a certain amount of knowledge of the history of a small portion of the Americas, and a fan of alternative history (I hate the term "alternate history", and agree with Brian Aldiss's comment that it makes it sound as if they take turns). I see nothing wrong with stories or novels that ask "What if X had happened/had not happened?" And that includes unpeopled Americas. Or Americas where the humans aren't our kind of human (http://www.sfsite.com/~silverag/different.html). Yes, I'm aware that manioc (I call it cassava, by the way; I find people who spell it "cassave" pretentious) is a staple in Africa. It wasn't before the sixteenth century. And people didn't eat tomatoes in Italy before then, either; they do now. And I've planted and reaped sweet cassava, and tomatoes as well. Not to mention sweet potatoes, white potatoes, yams, and taro (we called that "coco", not, mark you "coco-yam").

All that was the result of colonialism, moving plants as well as people around. In the process, the original people of the corn (actually, people of the cassava who lived on the land were forced out of existence, in part by the Africans who were forcibly brought over to supplement and replace them.

What's most interesting in your post, by the way, is the rather odd way that you make the modern European interest in the Americas entirely dependent on the gold and silver mines. That's not exactly the case. Columbus found little gold. And the settlers who followed him found very little, but they had nonetheless established permanent settlements, and continued exploration for years before encountering the silver mines of Mexico and Peru.

I find explorations of what might have been fascinating, in short.

Date: 2009-05-18 03:58 pm (UTC)
love: (Default)
From: [personal profile] love
Here via metafandom on LJ, just a drive-by comment...

Please leave the past alone. Just make up crap about the future!
It's so much easier to write alternate history than it is to make up _good_ future worlds. ^_^;;;

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